I've made two long visits to The RivBea Archive, trips to The Smithsonian, received hundreds of updates and additions from people everywhere, none of which has been added here.
It is over three years out of date missing additions that make this version so out of synch that it hardly bears any resemblance to the updated version. “Rick Lopez has done it again!” - James Brandon LewisĮNORMOUS DISCLAIMER: It's been distressing for me to keep this document available on the web, but I know that some people still find it useful, so I've been resisting taking it down. It’s not a discography either, and it’s not a photo documentation.Īnd yet somehow it is everything at the same time.” - Wolfram Knauer review, Jazzinstitut Darmstadt (January 2023) “Rick Lopez’s book is by no means a biography. “Lopez’s Sam Rivers sessionography is state of the art.” - Lewis Porter “An essential resource, a trail map for a rare and beautiful landscape of sounds.” - Larry Blumenfeld “Absolutely mind-blowing! So great!” - Mats Gustafsson Anticipating hours of joy.” - Barry Altschul “A Rosetta Stone of insight, and a well-deserved and worthy tribute to an overlooked giant of the music.” - Taylor Ho Bynum A joyful, sometimes psychedelic experience.” RLįor overseas shipping rates, email Rick Lopez: dizzying, stunning achievement of research and scholarship. With any amount, either one-time or monthly, I would be most grateful. So if you appreciate the work that I do and are willing and able to help a boy out I receive a Social Security check that meets just about half of my living expenses, and I drive a tiny school bus part-time forĪ daycare center that barely covers the rest. Of hours I feel compelled to spend gathering and organizing and formatting the information that I find. There are expenses I constantly struggle to meet: website hosting, an Adobe account for the software that makes the websiteĪnd book layouts possible, subscriptions to newspaper archives, and numerous other expenses.
Many decades, that the work I do is invaluable. I also get constant feedback from people all over the world who’ve been telling me, lo these
Of financial savvy I am-like a clueless child-almost entirely dependent at the age of 69 on next week’s pay-check and I am I’ve been deeply involved in the arts since the mid-’70s, but I’ve never known how to monetize my talents.
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